![]() In Venice, impressive Byzantine ecclesiastical decor was designed for the occasion of the performance. It received seven performances at the Opéra-Comique in Paris, but the new Royal Albert Hall in London could not be filled for such a Catholic occasion. It won immediate contemporary success, although not everywhere. The Requiem was repeated at La Scala three days later on 25 May with the same soloists and Verdi again conducting. Also, Teresa Stolz was engaged to Angelo Mariani in 1869, but she later left him. Teresa Stolz went on to a brilliant career, Waldmann retired very young in 1875, but the male singers appear to have faded into obscurity. Īs Aida, Amneris and Ramfis respectively, Stolz, Waldmann, and Maini had all sung in the European premiere of Aida in 1872, and Capponi was also intended to sing the role of Radames at that premiere but was replaced due to illness. Verdi himself conducted, and the four soloists were Teresa Stolz (soprano), Maria Waldmann (mezzo-soprano), Giuseppe Capponi (tenor) and Ormondo Maini (bass). The Requiem was first performed in the church of San Marco in Milan on, the first anniversary of Manzoni's death. The soloists depicted are (left to right) Ormondo Maini, Giuseppe Capponi, Maria Waldmann, and Teresa Stolz Second performance of the Requiem, at La Scala on, with Verdi conducting. It included a revised version of the "Libera me" originally composed for Rossini. Verdi traveled to Paris in June, where he commenced work on the Requiem, giving it the form we know today. Upon hearing of his death, Verdi resolved to complete a Requiem-this time entirely of his own writing-for Manzoni. On, the Italian writer and humanist Alessandro Manzoni, whom Verdi had admired all his adult life and met in 1868, died. In the meantime, Verdi kept toying with his "Libera me", frustrated that the combined commemoration of Rossini's life would not be performed in his lifetime. The composition remained unperformed until 1988, when Helmuth Rilling premiered the complete Messa per Rossini in Stuttgart, Germany. He pointed to Mariani's lack of enthusiasm for the project, even though he had been part of the organising committee from the start, and it marked the beginning of the end of their friendship. Verdi blamed this on the scheduled conductor, Angelo Mariani. ![]() However, on 4 November, nine days before the premiere, the organising committee abandoned it. ![]() Alessandro Manzoni, in whose honour Verdi wrote the Requiem ![]()
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